FifteenB Productions are presented staged performances of When a Man Knows at the Bridewell Theatre,
with performances on 31st March, 1st April, 2nd April 2011. The production was directed by Ian Caddy and musical director was David Roblou, who
conducted the concert performances in 2010. Dario Dugandzic was the Man and Zoe South the woman. More details here.
Saturday 19th December 2009
St. Johns Smith Square, London
Videte Miraculum, World Premiere
Chapelle du Roi, Alistair Dixon
Monday 12th October 2009
Press Release
St. Botolph without Bishopsgate, Bishopsgate, London EC2M 3TL
Thou, O Christ, world premiere
Setting of prayer by St. Symeon the New Theologian
St. Botolph's Choir
conductor Timothy Storey
12th September 2009
Cathedral of Christ the King, Katowice, Poland
Choruses from Passion, Polish Premiere
Chor Mieszany, Caecilianum
conductor Jan Kaleta
Wednesday 15th July 2009
St. Michael's Church, Chester Square, London
The Woodward Scale
London Concord Singers, Malcolm Cottle
Saturday 16th May 2009, 7.30pm
Music Under the Pyramid, Christ Church, Redford Way, Uxbridge
London Concord Singers, conductor Malcolm Cottle
The Woodward Scale, World Premiere
Saturday 7th March 2009
St. Mary's Church, Bathwich
He Looked at Me, World premiere
Gordon Pullin (tenor), Jolyon Laycock (piano)
3rd Prize in the EPSS Houseman competition
Saturday 7th March 2009
St. Mary's Church, Cadogan St., London
Lucis Creator Optime, World premiere
FifteenB Consort (Rowena Wells, Alison Cross, Sally Prime, Robert Hugill, Katie Boot and John McLeod)
Saturday 20th December 2008
St. Johns Smith Square, London
Chapelle du Roi, conductor Alistair Dixon
Puer natus est nobis, world premiere
Sunday 14th December 2008
Gaudete, the motet from Tempus per Annum for the 3rd Sunday in Advent received its first liturgical performance at Evensong
on at All Saints' Church, Margaret Street, London; where the church choir will be conducted by Paul Brough.
Sunday 23rd November 2008
St. Mary's Church
Cadogan Street, Chelsea
Jesu Rex Gloria
St. Mary's Latin Mass Choir
conductor Malcolm Cottle
Thursday 10th July 2008, St. Michael's Church, Chester Square
Saturday 2nd August 2008, Cathedral of San Nicolo e San Severo, Bardolino, Italy
Sunday 3rd August 2008, San Giorgio in Braida, Verona, Italy
London Concord Singers, Malcolm Cottle (conductor)
Deus in Adjutorium
Saturday 15th March 2008, Hampstead Town Hall,Haverstock Hill, London
London Concord Singers, Malcolm Cottle (conductor)
Patrick Clements (horn)
Do not go Gentle into that good night
Saturday 23rd February 2008
St. Peter's Church, Eaton Square, London
FifteenB, conductor Paul Ayres
Malcolm Cottle (organ), Victoria Hall (soprano), Katie Boot (tenor)
Annunciation (world premiere)
Choruses from "Passion" (world premiere)
My Eyes are ever turned towards the Lord, Crossing
Saturday 26th January 2008
St. Peter's Church, Eaton Square, London
eight:fifteen vocal ensemble, conductor Paul Brough
Paul Ayres (organ), Margaret Feaviour (soprano)
Evening Service (world premiere)
Lucis Creator Optime, Faith,Hope Charity
Sunday 11th November 2007
Bristol Music Club, Clifton
To his Love
EPSS Ivor Gurney Competition
Charlotte Newstead (sop)
Nicolas Barlow(bar)
Sunday 27th May, 2007
St. Martin's Church, Stamford - 9.30am
St. Mary's Church, Stamford - 11.00am
Missa Veni Sancte Spiritus
Performed at sung Eucharist by St. Mary's Church Choir, conductor Fergus Black.
The FifteenB Consort performed at All Saints Church, Margaret Street, London on Sunday 18th March 2007. They premiered my new piece for choir and organ, My Eyes are Lifted to the Lord which is my own homage to the verse anthem form. Also in the concert
was the solo motet, Faith, Hope and Charity.
Ursi Carmina
My new choral work, Ursi Carmina (Bear Songs) was premiered by London Concord Singers at their 40th Anniversary Concert on Sat 18th November 2006
at St. Giles Cripplegate. The piece was specially commissioned to celebrate the choir's anniversary.
Exaudi
My motet Exaudi was performed by the Latin Mass Choir of St. Mary's Roman Catholic Church, Cadogan St. Chelsea
on Sunday 24th September 2006 at Latin Mass. The motet was originally written for the celebrations for the 40th anniversary of the
ordination of Canon Vincent Berry and the motet was performed again at this mass which represented Canon Berry's final mass at
St. Mary's Church.
Faith, Hope and Charity
The solo motet Faith, Hope and Charity was performed at 1pm on Tuesday 9th May 2006 at St. Pancras Parish Church, Euston Road, London, as part of the London Festival of Contemporary Church Music, by organist Paul Ayres.
Missa Veni Sancte Spiritus
Missa Veni Sancte Spiritus was sung at St. George's Church, Hanover Square, London on Sunday June 4th 2006 (Whit Sunday) at 11.00am Sung Eucharist.
St. George's Church Choir, Simon Williams (conductor), Paul Ayres (organ).
Chelsea Festival 2006
Saturday 24th June 2006, St. Mary's Church, Cadogan St., Chelsea,Part of the Chelsea Festival
FifteenB, conductor Paul Ayres
This was FifteenB's 4th appearance at the festival. Conducted by Paul Ayres, the choir performed a programme called
Queen of Heaven, 1000 Years of music dedicated to the Virgin Mary. Music included plainchant plus Marian motets by Byrd, Liszt, Faure, Saint-Saens and Elgar, plus a number of my motets,
including a repeat of Nunc Dimittis which was such a success in 2004; also included were the premiere of Salve, Sancta Parens from Tempus per Annum. The choir also premiered Crossing my new work for Choir and Organ setting 2 poems by Rabindranath Tagore.
Salomon Orchestra
Thursday 23rd March 2006, St. James's Church,Piccadilly
In the Barbarians' Camp, 2nd Duino Elegy for Baritone and Orchestra
The Salomon Orchestra, Adrian Brown (conductor), David Greiner (baritone)
The orchestra gave 2 of my pieces at a concert in 2003 and I pleased that they have agreed to perform 2 more.
This time they were conducted by Adrian Brown and joined by German baritone David Greiner.
The programme included The Barbarian's Camp, a piece written after reading one of Helen Waddell's translations from Latin;
a poem in which the poet laments that he can no longer write poetry because he is disturbed by the chaos and unfocused
enthusiasm of the smelly barbarians. The piece depicts the chaos of the barbarian camp in a poly-rhythmical opening,
the conclusion of the piece incorporates my fanfare, The Barbarians are Coming which was written for the Philharmonia Brass
Ensemble to perform at the Chelsea Festival in 2001. The other piece of mine in the programme was a setting of Rilke's
Second Duino Elegy for baritone and orchestra; the singer was the German baritone David Greiner, someone who has
performed much of my work. The idea for the work germinated in the late 1990's when I wished to write piece for David
which set his native German.
The Testament of Dr. Cranmer
Saturday 18th March 2006, University Church, Oxfor
The Testament of Dr. Cranmer, the eight:fifteen vocal ensemble conductor Paul Brough.
A repetition of the 1st July 2005 concert on Saturday 18th March 2005 at the University Church in Oxford as part of the events marking the 450th Anniversary of Cranmer's execution at there. Additional events at the church will include the Archbishop of Canterbury preaching at a service on the day of the Anniversay.
The Sleep
The Sleep, world premiere, Saturday 4th March 2006 at the King's School, Worcester.
I Vespri di Santa Cecilia
London Concord Singers revived my motet I Vespri di Santa Cecili at their concert at the Grosvenor Chapel on 16th December. The piece was written for the choir's 30th anniversary concert in 1997;
the motet was originally written in 30 parts but the choir premiered the 14 part version (6 soloists and double choir) and it is this version which the choir sang at the December 15th Concert. The motet sets a selection of words from the Vespers Antiphons for the Feast of St. Cecilia.
Tempus per Annum - Respice Domine
In August 2005, London Concord Singers premiered a motet from Tempus per Annum, this time Respice Domine, which was performed at Strasbourg Cathedral on Sunday 7th August.
The motet received its London performance on Thursday 14th July 2005 at 7.30pm at St. Michael's Church, Chester Square.
Testament to Dr. Cranmer
On 1st July 2005 at 7.30pm at St. Giles Cripplegate, Barbican we celebrated another major anniversary, my own 50th birthday with a choral concert in St. Giles Cripplegate, which included my new cantata, The Testament of Dr. Cranmer for unaccompanied choir. This sets excerpts from Archbishop Cranmer's famous speech from the scaffold just before he was burned for heresy during the reign of Queen Mary. The programme also included a number of motets setting Cranmer's own words,
plus a selection of contrasting motets (in English and Latin) from the reigns of Edward 6th and Mary 1st. The concert was performed by a new professional vocal ensemble, Eight:Fifteen Vocal Ensemble, and featured the cello playing of Jonathan Cottle. Click here for full details.
There is a review of the concert at the Classical Source, here
FifteenB Consort
The FifteenB Consort (Robert Hugill, Rowena Wells, Alison Cross, Sally Prime, John McLeod) performed their programme A Tre, French and English Sacred music for 3 voices,
on Thursday 24th February 2005 at St. Matthew's Church, Westminster and Saturday 26th February 2005, at St. Peter's College Chapel, Oxford. The programme included the premieres of
Robert Hugill's Missa Simplex and Salve Regina a 5 alongside music by Byrd, Faure, Saint Saens and Delibes. Further information here.
A shorter version of the programme was performed at the London Festival of Contemporary Church Music on Tuesday May 10th 2005 at St. Pancras Parish Church.
Chelsea Festival 2004
On Saturday 26th June 2005 FifteenB, conductor Paul Ayres, made their 3rd appearance at the Chelsea Festival with a programme called Ave Verum.
Robert's motets Ave Verum, Cantate Domine, Lucis Creator Optime, In Principio, Nunc Dimittis and A Hymn to God the Father were premiered alongside music by
Paul Ayres, Aurelio Porfiri, Elgar, Byrd, Faure, Saint-Saens and Mozart. Further information here.
Orchestral Works
On Sunday September 21st 2003, The Salomon Orchestra performed a concert at The Tabernacle Arts Centre, in Notting Hill. The programme included
the premiere of the orchestral version of Jacob and the Angel, a homo-erotic re-working of the story from Genesis of Jacob wrestling the Angel. Also included in the concert were
a short prelude, toccata and a kind of fugue and Postcards from the Fitties. This latter work is a sort of Morning, Noon and Night on Cleethorpes promenade, loosely inspired by childhood memories.
The programme was completed by a group of works by Percy Grainger and Haydn's Symphony no. 97. Click here for full details.
Quotiescumque
On Saturday April 12th 2003 at 6.00pm, the FifteenB Consort, 4 soloists drawn from FifteenB, performed a programme of liturgical music for Lent at All Saints Church, Tudeley, Kent.
centrepiece of the programme was Heinrich Isaac's Missa Solemne. Amongst the motets being performed were my communion motet, Quotiescumque manducabitis panem hunc, ('For as often as ye eat this bread'') setting word taken from the Communion Sentence for Corpus Christi.
Tudeley Church is a lovely 12th Century church which has the unusual distinction of having a complete set of windows by the artist Marc Chagall.
This programme was also be performed in London, at St. Matthew's Church, Westminster on Thursday April 3rd at 7.45pm. Click here for full programme.
Here be Angels
Thursday 19th December 2002, St. Cyprian's Church, Glentworth Street, London WC1: As part of a programme of Angelic music, including Jonathan Harvey's 'The Angels' and William Harris's 'Faire be the Heaven',
London Concord Singers, conductor Malcolm Cottle, will be performing Here Be Angels, my motet which was commissioned by Crouch End Festival Chorus,
and first performed by them in 1998. This dramtic motet contains descriptions of heaven taken from the writings of Pseudo-Dionysius the Areopagite, Milton's descriptions of the rebel Angels, lists of Angels' names taken from the Book of Enoch
and a discussion about how many angels can fit on the head of a pin. Click here for the complete libretto and a programme note
Robert's motet De Profundis, sung at Latin mass at St. Mary's Church, Cadogan Street, Chelsea, UK, by St. Mary's Latin mass choir, for whom it was written and who gave the first performance.
13th October 2002, 11th October 2003, 10th October 2004, 6th October 2006
The Barbarian at the Gate
Chelsea Festival 2002. FifteenB, Conductor Paul Ayres and Philharmonia Brass (a group of brass players from the Philharmonia Orchestra,
gave a joint concert at the Chelsea Festival, on Monday 24th June, 2002 at St. Mary's Church, Cadogan Street, Chelsea. Philharmonia Brass playing Robert's new Fanfare The Barbarians Are Coming.
FifteenB and the trumpeters of Philharmonia Brass gave the premiere of The Barbarian At The Gate, Robert's new setting of three poems by Helen Waddell, for choir and trumpets.
The poems are Lament for Troy, Lament for Aquilea, destroyed never to be rebuilt, and On the Killing at Lindisfarne. All three are translations from medieval latin lyrics. Click here for further details
Exaudi
Motet performed at 6.30pm mass on Saturday 25th May 2002 and High Mass on Sunday 26th May 2002 at St. Mary's Church, Cadogan Street, Chelsea.
Performed by St. Mary's Latin Mass choir as part of the celebrations for the 40th Anniversary of the Ordination of Canon Vincent Berry.
De Profundis
Performed at High Mass at St. Mary's Church, Cadogan Street, Chelsea on Sunday 18th November 2001, Sunday October 13th 2002
The choir of The Oratory, Oxford - Musical Director, Edward de Rivera gave the first performance of the 5-part version at a musical oratory for Passiontide,
on Wednesday 20th March at 8.00pm at the Oratory.
Tell Me Shepherd
. St. Woolos Cathedral, Newport, Gwent, performed at Service of 9 Lessons and Carols on Monday 23rd December 2001.
Quickening
- a song cycle for voice, viola and piano, World Premiere
Lauderdale House, Waterlow Park, Highgate Hill, Friday 16th November 2001, 7.30pm
Performed by David Greiner - Counter Tenor,
Amanda Chancellor - Viola,
Paul Webster - Piano
Click Here for further information
. St. Woolos Cathedral, Newport, Gwent, Sunday 21st October 2001. The choir, Director Christopher Barton, performed the Kyrie and Sanctus
from the mass at Holy Communion.
. My new Opera, Garrett, Based on a play by Coni Ciongoli-Koepfinger, was given two very successful performance at Hoxton Hall on June 9th and 10th 2001, in an evocative staging by Darren Royston (lit by Matt Haskins).
Click Here for an introduction to the opera and reviews (when they become available).
Garrett was sung by Damian Thantrey and Israfel by Rosemary Forbes-Butler, the 5-piece instrumental ensemble was conducted by Malcolm Cottle.
The opera lasts about an hour.
Click on any picture of a larger image.
The Lord Bless Thee
In June 2000, in a series of organ recitals in and around London, Paul Ayres gave the premiere of The Lord Bless Thee, for organ.
A free transcription of the solo motet, premiered in November 2000, this organ prelude was a wedding present for Paul and Ruth.
The Black Dragon
14th December 2000, 7.30pm, St. Cyprian's Church, Glentworth Street, NW1
London Concord Singers, conductor Malcolm Cottle
A new choral piece to celebrate the Millennium Year of the Dragon. Inspired by my love of Science Fantasy Novels!
Songs of Love and Loss - US Premiere
Monday, November 27, 2000 at 7:00 pm in the Rangos Ballroom at the University Center, Carnegie Mellon University, Pittsburgh, USA,
as part of a programme of events marking World Aids Day.
'emotional and thought provoking' - Blake Engel, writing in the CMU Newspaper
The performers were Abigail Schoppe, piano, Erin Breen, clarinet, Dana Howell, clarinet, Ja-Nae Duane, mezzo-soprano, Kara Cornell, mezzo-soprano, Elizabeth Sederburg, mezzo-soprano
The Lord Keep Thee - "For Simon and Rhona"
Saturday 25th November 2001, St. Mary's Church, Cadogan Street, Chelsea.
New solo motet written for Simon and Rhona's wedding, performed by Rowena Wells and Malcolm Cottle
Chelsea Festival on 22nd June 2000. The mass setting lasts around
45 minutes and is for unaccompanied choir and soprano solo.
FifteenB, conducted by Paul Ayres.
At the concert, Carl Jackson, the Organist at the Chapel Royal, Hampton Court played some 16th and 17th Century English organ music. The concert was recorded and copies of the
recording are avaialble from the composer, price £7.50.
Hear It!, Click Here for review and sound bites.
This concert was sponsored by Associated MediaBase and Alec Drew Picture Frames Ltd..
Gaude, Gaude Maria
 | |
| Cambridge Voices at St.Etienne-du-Mont |
A new motet for 10 part choir, written for Cambridge Voices, director Ian de Massini.
14/8/00 Church of St. Paul et St. Louis, Rue St. Antoine, Paris
15/8/00 Church of St. St. Etienne du Mont, Place du Pantheon, Paris - after the choir's annual mass for the Feast of the Assumption.
St. Mary's Church, Chelsea, as part of Latin Mass. The Gloria from the mass was first performed on 6/2/2000
21st May 2000, 6th Feb 2000, 16th May 1999. The Mass received its 10th performance on 4th February 2001
Robert's motet De Profundis, sung at Latin mass at St. Mary's Church, Cadogan Street, Chelsea, UK, by St. Mary's Latin mass choir, for whom it was written and who gave the first performance.
13th October 1996, 12th October 1997, 16th November 1997, 10th October 1999, 22nd October 2000, 19th November 2000, 18th November 2001
Ave Maria
Setting for unaccompanied choir, from Three Prayers
Saturday 7th August, 1999, Eglise de St. Pierre, Caen as part of a concert by London Concord Singers, conductor Malcolm Cottle.
Sunday 8th August, 1999, Abbaye des Hommes, Caen, as part of High Mass, sung by London Concord Singers, conductor Malcolm Cottle.
Microprocessor Man
Song with music and text by Robert Hugill, for Soprano, Clarinet, Cello, Piano, Synthesizer and Percussion
performed by the Ensemble Aleph at the Bath Festival.
Friday June 4th, Guildhall, Bath at 10.00pm, followed by performances at the Theatre Dunois, Paris.
Jacob and the Angel
Nocturne for Choir and String Orchestra with text by the composer based on Genesis and The Song of Songs
Friday June 12th, St. Cyprian's Church, Glentworth Street, London, NW1.
The full programme of the concert was:-
| | Percy Grainger | Love Verses from the Song of Solomon |
| | Robert Hugill | Jacob and The Angel. World Premiere |
| | Palestrina | Motets from Canticum Canticorum |
| | Paul Ayres | Amen - version for String Orchestra, World Premiere |
| | Elgar | Serenade for Strings |
| | Barber | Adagio for Strings |
Missa Sanctissima Maria will be performed a High Mass at St. Mary's Church, Cadogan Street, Chelsea, on Sunday 6th February, at 12.00pm. St. Mary's
Latin Mass Choir will be conducted by Malcolm Cottle, and the choir will be giving the premiere of the 'Gloria' of the mass.
A beautiful and often fascinating work - Robert Matthew-Walker, Musical Opinion
An unaccompanied setting of St. John's Passion, written for the Burgundian Cadence - a 4 man a cappella vocal ensemble. Click here to read the full Musical Opinion review.
Passion was performed on Tour as follows:-
| March 9th 1999 | British Music Information Centre, Stratford Place, London | World Premiere |
| March 11th 1999 | St. Mary Abbots Church, Kensington High Street, London |
| March 12th 1999 | St. James's Church, Piccadilly, London |
| March 21st 1999 | Westminster Abbey, London |
| March 23rd 1999 | Southwark Cathedral, London |
| March 26th 1999 | Lincoln Cathedral |
Passion is published by Bardic Edition.
CANDLE DANCING
'Robert Hugill's music is enchanting (pun intended)'. - Pittsburgh Post Gazette
Incidental music for Coni Ciongoli-Koepfinger's play Candle Dancing, based on the writings of the English Mystic, Julian of Norwich.
Veronic's Veil Auditorium, 44 Pius Street, Pittsburgh.
Robert's music is written for choir, soloists, organ, flute and oboe, even includes a requiem mass. Click here to read the reviews.
Candle Dancing was directed by Denny Marthin, the Musical Director was Stephen J. Steinbeiser and the conductor was Tara Yaney.
FOUR SOLO MOTETS
First performance of all four solo motets. Sung by Rowena Wells - Soprano, Rupert Damerell - Counter Tenor,
with Paul Ayres - Organ on Saturday 27th November 1998, at Holy Trinity Church, Clapham Common.
Also in the programme were a duet version of Psalm 98 with organ accompaniment.
SUMMER RAIN
A Duet for Soprano and Contralto with Piano Duet accompaniment, which received its first performance on
Saturday 28th July 1998 at the Holywell Music Room, Oxford. The piece was written for, and performed by
Four's Company (Anne Bardsley - Soprano, Lesley Morris - MezzoSoprano, Keith Harris - Piano, Mike Bardsley - Piano)
HERE BE ANGELS
A Motet for Large Choir, commissioned by Crouch End Festival Chorus, Here be Angels and performed
by them on March 28th and March 29th 1998, at All Hallows Church, Savernake Road, Gospel Oak, London.
"Hugill's inventive Here be Angels calls on the chorus to sing with anguish in different keys simultaneously.
Hugill found one of his texts on the Internet. He is a computer programmer by day, coincidentally for this very newspaper. His oratorio is more cerebral than lyrical."
London Evening Standard - 30th March 1998.
Robert's new cantata for Choir and Wind Octet perfomed by FifteenB and the
Salomon Wind Octet, conductor Paul Ayres, on Saturday 18th April at 7.45pm at St. Mary's Church,
Cadogan Street, Chelsea.
FifteenB, Malcolm Cottle - Organ
5th December 1997, Corpus Christi Church, Maiden Lane, Covent Garden.
As par of a Mass for World Aids Day.
NUNC DIMITTIS
Lesley Morris - Alto, North Cotswold Chamber Choir, Conductor - Ashley Stafford
Michael Liddell - Organ
8th November 1997, St. Mary's Church, Charlbury
9th November 1997, Church of the Immaculate Conception, Bicester
SONGS OF LOVE AND LOSS
TWO SOLO MOTETS
Gretchen Minerva Cummings - Contralto
John Cook - Clarinet
Paul Webster - Piano
Friday 4th July 1997, 7.30pm Burgh House, Hampstead.
As part of a concert which also includes Vaughan Williams "Four Last Songs".
NUNC DIMITTIS
Ashley Stafford - Counter Tenor
Stewart Taylor - Organ
14th June 1997, Djanogly Chamber Series 2, University of Nottingham
Choir of St. Peter's Church, director - Paul Ayres
18th May 1997, 10.00am St. Peter's Church, Ealing.
As part of sung Eucharist.
LET THIS HARVEST PASS, O LORD
KISS THOU THIS ROSE
Rupert Damerell - Alto
Andrew Keeping - Guitar
Aubade (Rosemary Zolynski, Rowena Wells, Robert Hugill, Steve James, John McLeod), director Robert Hugill
6th April 1997, 7.30pm Burgh House, Hampstead.
As part of a concert
entitled MUSIC ON A SPRING EVENING, an evening of music ancient and modern for voice
and guitar, and vocal ensemble.
London Concord Singers, conductor Malcolm Cottle.
15th March 1997, 6.00pm St. Cyprian's Church, Glentworth Street, London as part of the choir's 30th Birthday celebrations.
VOCIBUS MULIERUM; SONGS OF LOVE & LOSS; TWO SOLO MOTETS; KYRIE WITH TROPES
David Greiner - Counter Tenor, Felicity Ford - Soprano, Rupert Damerell - Alto.
Fifteen B, conductor Paul Webster.
17th March 1996, St. Cyprian's Church, Glentworth St., London.
London Concord Singers, conductor Malcolm Cottle, Patrick Clements - Horn.
30th November 1995. Christ Church, Maiden Lane, Covent Garden, London.
SONGS OF LOVE & LOSS: TWO LATIN DUETS
Felicity Ford - Soprano, Rosemary Zolynski - Soprano, Margaret Jackson-Roberts - Contralto,
Etke Bainbridge - Horn, Yvonne Brain - Piano.
9th July 1995, Burgh House, Hampstead.
St. Mary's Church, Chelsea, as part of Latin Mass.
27th November 1994, 26th November 1996, 1st June 1997, 26th November 2000, 21st November 2004
St. Mary's Church, Chelsea, first concert performance, at a concert to mark the parish's 200th Anniversary
13th May 1998
St. Mary's Church, Chelsea, as part of Latin Mass.
9th July 1995, 26th November 1995, 4th February 1996, 7th July 1996, 11th May 1997, 24th May 1998
Felicity Ford - Soprano, Sue Elliot - Mezzo Soprano, Fifteen B, conductor Paul Webster.
6th November 1994, Chapel at the House of Saint Barnabas, Soho.
London Concord Singers, conductor Malcolm Cottle.
16th December 1993, St. Stephen's Church, Gloucester Road, London.
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